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Sex in Cinema: Greatest and Most Influential Erotic / Sexual Films and Scenes

If ever you'll gonna meet me in person, you'll have the best days of your life because I love to share and talk about love and life. I can easily communicate because I'm very approachable. The person I seek to be my perfect mate is a man who has same interests same as Love romance and surprises. I am out going and want to explore new places. I want to travel to see the world one day. I am kinky in the bedroom bondage is my major turn on the feeling of helplessness makes me very juicy.

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Free sign up - no credit card required. The sensational film's putrescence, debasement and excesses sadism, cannibalism, torture, fornication, puke, and rotting fish and meat and scatological themes force-feeding of excrement termed coprophagy , urination on victims forced the Motion Picture Association of America to give the film an "X" rating. The film's tagline was: The film after being denied an appeal was released unrated by the producers, and then given an NC rating by the time of its video release.

An alternative R-rated version cut out about 30 minutes of footage. It was set mostly within a huge trendy haute cuisine London restaurant Le Hollandais with evening banquets every night over a nine-evening period. The film featured four main characters: Histrionic conversations were about food, excrement and sex.

After discovering his adulterous Wife's unfaithfulness and hungry trysts with the Lover during visits to the ladies' room stall, kitchen and bakery pantry and refrigerated meat freezer in the back of a truck, filmed with unflattering lighting , the brutal Albert decided upon savage, cannibalistic revenge on the man ironically stating and foreshadowing: And I'll eat him!

Michael was killed by force-feeding him with pages from a book. To retaliate, Wife Georgina had the Cook bake up her Lover's corpse for her husband and then headed a procession bringing in the veiled body for a surprise dinner. She forced her husband at gunpoint to eat the warmed-up cadaver: And you know where it's been.

Stunned, Albert took a bite and vomited, as The Wife encouraged him to eat more " Bon appetit , Albert. That's French" - and then shot him to death, condemning him as a "Cannibal. Australian actress Nicole Kidman starred in her first leading role in Phillip Noyce's R-rated erotic thriller. She took the role of Rae Ingram, a terrorized but strong-willed woman onboard the schooner Saracen with her husband John Sam Neill. When John was diverted away, she had no choice but to give in to the sexual advances of deranged killer castaway Hughie Warriner Billy Zane and make love to him - as part of a resourceful strategy to possibly catch him off guard and eventually subdue the psychotic madman.

As she laid on top of him, she removed her white T-shirt, and he ripped off her shorts and panties. She told him that first, however, she had to go to the bathroom - she put on a robe and went up on deck to assemble a shotgun.

Her ploy was aborted, as was a second attempt to use the shotgun, so she finally accepted intercourse and experienced an intense, gasping orgasm. The couple believed that they had finally conquered Hughie by seriously wounding him with a harpoon, knocking him unconscious, tossing him onto a free-floating rescue raft, and setting him adrift. In the surprise twist ending, he was finally killed once and for all. Mookie and Tina had a young son named Hector.

During a visit with Tina on this sweltering day of one hundred degree heat, he was frustrating her by wanting to have quickie sex the "nasty" in her hot apartment bedroom, and then wishing to quickly leave afterwards. In the infamous ice-cube scene, he methodically rubbed melting ice cubes over her naked body forehead, lips, neck, kneecaps, elbows, thighs, and breasts in full-closeup view, while espousing: Thank god for the neck Thank god for kneecaps Thank god for elbows Thank god for thighs Thank god for the right nipple.

Thank god for the left nipple. Ah, she likes, she likes, she likes. In the original screenplay, it read: Director Steve Kloves' romance drama has always been remarked upon for its seductive scene of red-dressed, high-heeled former escort girl Suzie Diamond Michelle Pfeiffer writhing semi-recumbent and draped atop a grand piano. The film's unlikely title referred to ghosts who couldn't consummate their love through sex. The two main characters, a married couple who lived on a Wyoming ranch together, were: Scott was ailing from a weak heart, but was too old to have a heart transplant.

When he couldn't perform in bed with Katie, he committed suicide with a shotgun blast to his own head. In a hellish afterlife, Scott met an Angel of Death Julie Newmar who told him that he could watch his wife's suffering and anguish for awhile. She was the only one who could see and hear her dead husband. Katie went to a tropical isle for a vacation, where in a memorable scene, she stripped off her purplish-blue one-piece swim suit and laid down on the sand, while complaining to the deceased Scott: I mean, look at you.

Oh God, don't do that! You mean you'd take another body. And with this body, you'd make love to me? We've never been kinky. I mean, wouldn't it be wonderful? Would you be young? In another scene while she was bathing in a jacuzzi, and was informed by Scott that she was now chairman of the board of his company and worth two billion dollars , she told Scott: I'll wait right here. Martin Riggs Mel Gibson found time for a love-making scene. He invited her to dinner and beer in his rocky oceanside trailer.

After an extended bout of sex in his upper bunk, he asked for a "seventh inning stretch," yet she complained: They were alerted to danger by Riggs' collie dog Sam, and interrupted by gunfire from two helicopters, leading to an exciting truck chase as they both fled from his bullet-peppered trailer.

Representing family-friendly values, Disney executives were continually worried about sexual imagery or subliminal messages conveyed in their animations, whether they were actually visible, coincidental, accidental, or just urban legends i. More scrutiny was brought to bear on this film when execs feared implausibly that there was a disgruntled Disney artist who had deliberately drawn an erect penis nestled among the towering spires of the castle on The Little Mermaid's video box cover.

Another fear was that an animated male character, a priest, had a bulging penis, but it turned out to be the character's knobby knee! The two main characters at a seaside resort who were engaged in a disjointed, tragic affair for several days and nights within a posh hotel suite were: During one of her psychic acts while wearing a red silky dress on stage, she pulled down the front of it to reveal her breasts.

Lucas had been diagnosed with a rare debilitating brain disease that was causing him to gradually lose his communication skills and memory.

Their unusual and intense erotic relationship "Love means pain, lots of pain" was tempered by the mental condition of both, and their haunting childhood memories. When they made love in one of the film's remarkable scenes, she had the ability to look into Lucas' soul and view his hidden pain. This docu-melodrama set in the swinging Sixties from first-time feature director Michael Caton-Jones was about a British government tabloid scandal in aka the Profumo Scandal.

Oddy, it was originally rated X for its notorious after-dinner orgy scene since re-edited , although it didn't warrant a hard-core rating.

The whole debacle of the real scandal led to the end of Prime Minister Harold Macmillan's Conservative government. Christine Keeler had relocated to London, where she began as a chorus girl in a respectable topless revue show. Rice-Davies was also in the show, playing a topless American Indian maiden in a kitschy stage number with the repetitive chorus of "Ooga!

Keeler was befriended by social-climbing, liberated hedonist and osteopath Dr. Stephen Ward John Hurt who introduced her to his high-class friends, who claimed: In one of the film's most memorable scenes, to the sounds of Apache by The Shadows, the two beautiful playthings in a series of extreme closeups prepared and dressed for a night on the town: Later after a cut, they were seen in a bed, making very vocal, orgasmic sounds together. It was revealed that they were faking - pretending to be lesbian, when they burst into laughter to tease their male pick-up or john, who was watching their arousing performance.

In the end as a result of the scandal and public trial, Ward suicidally killed himself, and Keeler was found guilty of perjury. Director Harold Becker's Hitchcock-like, erotic, who-dun-it crime thriller told about an investigation into a series of 'lonely-hearts' murders by a suspected female serial killer. The film opened with a close-up of a spinning 45 rpm record "Sea of Love" on a turntable, as naked James Mackey Brian Paul appeared to be making love, but then was shown to have a gun pointed at him by an unseen assailant before he was shot dead.

Two individuals who were intertwined together during the case included: Acting as a decoy, Keller placed his own ad in New York Weekly magazine and had dinner expecting to retrieve matching fingerprints with Helen. During their first meeting, she told him: I believe in love at first sight. They experienced a tense, torrid tryst scene together in his bedroom at 3 am after having drinks. She ripped off her red jacket, revealing a bra-less white T-shirt as they passionately kissed each other.

When she went to the bathroom, grabbing her bag with a gun in it a "starter's pistol" and commanded "Get in bed," he was both excited and fearful. When she appeared in a white bathrobe, he threw her against the wall and frisked her and then tossed her in his closet -- they soon struggled on his bed together as she screamed: Their rough foreplay led to her frisking him from behind and lingering at his crotch as he asked: Later when kissing her, he murmured: A few days later after she learned that he was a cop, they met at a grocery store aisle where she was naked under her black trenchcoat.

In the very sexy scene set to a jazzy score, she fondled hot peppers as he touched her bare leg, before another night of love-making at her place. When he suspected her of the killings after learning that she had dates with the murdered men, he taunted her with his own gun: Want to f--k first and get me face down?

Tell me why you did it? In the film's twist ending, Helen's angry 'creep' ex-husband Terry Michael Rooker lunged at Frank at his apartment door, screaming: You got in deep, man. She throws a f--kin' court order at me.

He was the cable TV man that Frank had questioned earlier as a witness - he had killed all of his ex-wife's 'lonely-hearts' acquaintances. In the film's final scene, Frank and Helen were reconciled on a NY street and went to have a cup of coffee together.

Although it contained considerable discussion of sexual topics, it did not contain any nudity. The film featured explicit dialogue in videotaped discussions and revelatory confessions filmed by reclusive Graham Walton James Spader as his "personal project.

Ann admitted to her therapist Ron Vawter: Infidelity was revealed between womanizing and philandering John and Ann's sexually-adventurous bartender sister Cynthia Laura San Giacomo. When Graham videotaped Cynthia as she curled up on a sofa, she was aroused and revealed her sexual awakening when she first viewed a penis at age

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